I love Ted Kooser’s intro on this one.

American Life in Poetry: Column 122

By Ted Kooser
U.S. Poet Laureate, 2004-2006
The chances are very good that you are within a thousand yards of a man with a comb-over, and he may even be somewhere in your house. Here’s Maine poet, Wesley McNair, with his commentary on these valorous attempts to disguise hair loss.

Hymn to the Comb-Over
How the thickest of them erupt just
above the ear, cresting in waves so stiff
no wind can move them. Let us praise them
in all of their varieties, some skinny
as the bands of headphones, some rising
from a part that extends halfway around
the head, others four or five strings
stretched so taut the scalp resembles
a musical instrument. Let us praise the sprays
that hold them, and the combs that coax
such abundance to the front of the head
in the mirror, the combers entirely forget
the back. And let us celebrate the combers,
who address the old sorrow of time’s passing
day after day, bringing out of the barrenness
of mid-life this ridiculous and wonderful
harvest, no wishful flag of hope, but, thick,
or thin, the flag itself, unfurled for us all
in subways, offices, and malls across America.

American Life in Poetry is made possible by The Poetry Foundation, publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c) 2006 by Wesley McNair. Reprinted from “The Ghosts of You and Me,” published by David R. Godine, 2006, by permission of the author. Introduction copyright (c) 2006 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.

American Life in Poetry: Column 092

By Ted Kooser,
U.S. poet laureate, 2004-2006
Home is where the heart. . . Well, surely we all know that old saying. But it’s the particulars of a home that make it ours. Here the poet Linda Parsons Marion, who lives in Knoxville, Tennessee, celebrates familiarity, in its detail and its richness.

Home Fire

Whether on the boulevard or gravel backroad,
I do not easily raise my hand to those who toss
up theirs in anonymous hello, merely to say
“I’m passing this way.” Once out of shyness, now
reluctance to tip my hand, I admire the shrubbery
instead. I’ve learned where the lines are drawn
and keep the privet well trimmed. I left one house
with toys on the floor for another with quiet rugs
and a bed where the moon comes in. I’ve thrown
myself at men in black turtlenecks only to find
that home is best after all. Home where I sit
in the glider, knowing it needs oil, like my own
rusty joints. Where I coax blackberry to dogwood
and winter to harvest, where my table is clothed
in light. Home where I walk out on the thin page
of night, without waving or giving myself away,
and return with my words burning like fire in the grate.

Reprinted from “Home Fires: Poems,” Sow’s Ear Press, 1997, by permission of the author. Copyright (c) 1997 by Linda Parsons. This weekly column is supported by The Poetry Foundation, The Library of Congress, and the Department of English at the University of Nebraska-Lincoln. This column does not accept unsolicited poetry.

. . . . . the end . . . . .

Here’s a punch in the gut for you. Mr. Kooser has more eloquent things to say, of course. He is a poet, after all.

American Life in Poetry: Column 082

By Ted Kooser,
U.S. poet laureate, 2004-2006
Many poems celebrate the joys of having children. Michigan poetJeff Vande Zande reminds us that adults make mistakes, even with children they love, and that
parenting is about fear as well as joy.

Clean

Her small body shines
with water and light.
Giggling, she squeals “daddy,”
splashes until his pants darken.
Five more minutes, he thinks,
stepping out quickly,
pouring himself a drink,
not expecting to return
to find her slipped under,
her tiny face staring up
through the undulating surface.
Before he can move,
or drop his scotch,
she raises her dripping head,
her mouth a perfect O.
The sound of her gulped breath
takes the wind out of him.
Her face,
pale and awed,
understands the other side
of water and air.
His wife didn’t see,
doesn’t know.
Her feet pulse and fade
in the upstairs joists.
His daughter cries,
slips from him, not giggling.
She wants out.
He tries to keep her
in the tub, in the light.
He’s on his knees.

Reprinted from “Rattle,” Winter, 2005, by permission of the poet, whose most recent book is “Into the Desperate Country,” March Street Press, 2006. This weekly column is supported by The Poetry Foundation, The Library of Congress, and the Department of English at the University of Nebraska-Lincoln. This column does not accept unsolicited poetry.