Category Archives: Reading

"Home Fire"

American Life in Poetry: Column 092

By Ted Kooser,
U.S. poet laureate, 2004-2006

Home is where the heart. . . Well, surely we all know that old saying. But it’s the particulars of a home that make it ours. Here the poet Linda Parsons Marion, who lives in Knoxville, Tennessee, celebrates familiarity, in its detail and its richness.

Home Fire

Whether on the boulevard or gravel backroad,
I do not easily raise my hand to those who toss
up theirs in anonymous hello, merely to say
“I’m passing this way.” Once out of shyness, now
reluctance to tip my hand, I admire the shrubbery
instead. I’ve learned where the lines are drawn
and keep the privet well trimmed. I left one house
with toys on the floor for another with quiet rugs
and a bed where the moon comes in. I’ve thrown
myself at men in black turtlenecks only to find
that home is best after all. Home where I sit
in the glider, knowing it needs oil, like my own
rusty joints. Where I coax blackberry to dogwood
and winter to harvest, where my table is clothed
in light. Home where I walk out on the thin page
of night, without waving or giving myself away,
and return with my words burning like fire in the grate.

Reprinted from “Home Fires: Poems,” Sow’s Ear Press, 1997, by permission of the author. Copyright (c) 1997 by Linda Parsons. This weekly column is supported by The Poetry Foundation, The Library of Congress, and the Department of English at the University of Nebraska-Lincoln. This column does not accept unsolicited poetry.

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"The Human Factor"

From middle-class American angst to disillusioned British spies all in one day.

I picked up Graham Greene’s “The Human Factor” this summer at the blueberry farm/used book store near Dad’s house. Then I left it there, unread. I was glad of that when I ended up bookless again with several days left to go in our visit.

It wasn’t as good as “The Quiet American.” In fact, I didn’t care for it much at all. The end was particularly disappointing. It does hold the distinction, though, of being my 50th book of 2006.

"The Mermaid Chair"

I didn’t care for the message this book sets forth — that it’s OK to set your marriage aside as long as you’re trying to “find yourself.” This is another My Family is Falling Apart book, and, as usual, I wasn’t crazy about it. I enjoyed the language of the book. I just didn’t like the overall theme.

I marvel at how good I was before I met him, how I lived molded to the smallest space possible, my days the size of little beads that passed without passion through my fingers.

I felt amazing at the choosing one had to do, over and over, a million times daily — choosing love, then choosing it again, how loving and being in love could be so different.”

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