American Life in Poetry: Column 062
By Ted Kooser
U.S. poet laureate 2004-2006
Gardeners who’ve fought Creeping Charlie and other unwanted plants may sympathize with James McKean from Iowa as he takes on Bindweed, a cousin to the two varieties of morning glory that appear in the poem. It’s an endless struggle, and in the end, of course, the bindweed wins.

Bindweed
There is little I can do
besides stoop to pluck them
one by one from the ground,
their roots all weak links,
this hoard of Lazaruses popping up
at night, not the Heavenly Blue
so like silk handkerchiefs,
nor the Giant White so timid
in the face of the moon,
but poor relations who visit
then stay. They sleep in my garden.
Each morning I evict them.
Each night more arrive, their leaves
small, green shrouds,
reminding me the mother root
waits deep underground
and I dig but will never find her
and her children will inherit
all that I’ve cleared
when she holds me tighter
and tighter in her arms.

Reprinted from “Headlong,” University of Utah Press, 1987, by permission of the author, and first published in “Poetry Northwest,” Vol. 23, No. 3, 1982. Copyright (c) 1982 by James McKean, whose most recent book is “Home Stand,” a memoir published in 2005 by Michigan State University Press. This weekly column is supported by The Poetry Foundation, The Library of Congress, and the Department of English at the University of Nebraska-Lincoln.

American Life in Poetry: Column 061
By Ted Kooser,
U.S. Poet Laureate
Everywhere I travel I meet people who want to write poetry but worry that what they write won’t be “any good.” No one can judge the worth of a poem before it’s been written, and setting high standards for yourself can keep you from writing. And if you don’t write you’ll miss out on the pleasure of making something from words, of seeing your thoughts on a page. Here Leslie Monsour offers a concise snapshot of a self-censoring poet.

The Education of a Poet
Her pencil poised, she’s ready to create,
Then listens to her mind’s perverse debate
On whether what she does serves any use;
And that is all she needs for an excuse
To spend all afternoon and half the night
Enjoying poems other people write.

Leslie Monsour’s newest book of poetry is “The Alarming Beauty of the Sky” (2005) published by Red Hen Press. Poem copyright (c) 2000 by Leslie Monsour and reprinted from “The Formalist,” Vol. 11, by permission of the author. This weekly column is supported by The Poetry Foundation, The Library of Congress, and the Department of English at the University of Nebraska-Lincoln.